War Horse

     Once a year there is a film that will rivet it's audience to their core. A film that can be admired by families around the world. This year that film is War Horse, a Steven Spielberg adaptation of a Tony award-winning play of the same name. War Horse is the story of a boy named Albert and his bond with his horse Joey during World War I.

     Seldom are we graced with a quality film that was adapted from a play, which in turn was adapted from a best selling novel. "War Horse" was originally published by Michael Morpurgo in 1982, the book was adapted as a Broadway play in 2007. War Horse the play went on to storm the American Theater Wing's Tony Awards with five awards and wins. Now when undertaking an adaptation of this magnitude the only person I would trust would be Steven Spielberg. Only the director of Saving Private Ryan and Empire of the Sun could replicate a touching tale of love and hardship during wartime.
      War Horse begins with a young Albert (Jeremy Irvine) witnessing the birth of a foal. It quickly develops as we see the foal progress in age from a handsome colt to a dazzling thoroughbred. At the appropriate age this horse is sold to Albert's family and this is where the story truly begins. Albert soon trains Joey (the horse) to be the family's indentured servant. As the training progresses so does the bond between Albert and Joey. That is until one day Joey is sold to the cavalry to cover debts accumulated by the farm. It is here that Joey stops being a work horse and becomes a war horse.
     What makes War Horse different from any other war film, is that it's heart lies in an animal, not the people fighting the war. This is more about a journey through unfortunate circumstance and survival, than it is about conflicts between rival factions. We watch in awe and sometimes humor as Joey journeys across Europe during World War I. This film is littered with irony and adventure of epic proportions. This is a film that children and families alike can enjoy time and time again. Truly, Steven Spielberg has woven another tale that will live on in the hearts and memories of all who see it.

Rating: 5 (Maximum of 5) - A superb and emotional film that will leave you breathless.

A Mother's Love

     As the title suggests, A Mother's Love is a black independent film about a a family thrown into chaos due to a mother's quest for success. Regina (Rolanda Watts) is a successful business woman working for a California based magazine. Mother to two children, Regina has lost sight what is really important in her life in her pursuit of financial success. Her daughter Monica (Salina Duplessis) attended art school only to be dragged into a world of drug addiction and is struggling for help. Having no one to turn to, Monica goes to her father Marcus (Julian Starks) for help. Marcus is struggling with Regina's decision to leave him and cut him out of her life. This all happens while the grandmother Georgia (Amentha Dymally) is forced to watch in prayerful silence.
     A Mother's Love is a heartfelt story of how perseverance, prayer, and love will see a family through any trial. It's rare to find a family friendly film that manages to show how important it is to be honest and supportive in both business and family matters. However delightful the content may be, it is important to keep in mind that films like this one are aimed at a very specific demographic. One issue with small budget films is that one cannot expect the same visual or editing qualities that are synonymous with most Hollywood films. When viewing A Mother's Love you have appreciate the values behind the movie and not the execution. Yes the writing could have been better, and yes the editing could have been smoother, but as long as you are a fan of Tyler Perry films or other ethnocentric cinema, A Mother's Love will be right up your alley.

Rating: 3 (Maximum of 5) - A Mother's Love is heartfelt and touching, but would have been more effective with a bigger budget, a bigger studio, and better screenwriters.

Breaking Blah

   I  have noticed that a lot of people are infected with something that can only be described as "The Blah". Symptoms include sore throat, scratchy voice, congestion, mild fatigue, and general malaise. I've been feeling this way for a few weeks now along with a few of my friends. It most certainly doesn't help anything that I've been at home all day everyday these days. Alas, all I can do is wait it out and hope to God it doesn't continue through Thanksgiving.

     Moving along, I had the immense pleasure of see Breaking Dawn Pt. 1 with my niece and partner. I waited to see it because I did not feel like viewing it in a theater packed with people that would irritate or annoy me. So we saw an early Saturday morning show that only had a handful of people who were silent and respectful. The film started and we were instantly transported into a world where emotions are restrained, forced, and generally laughable. Breaking Dawn Pt 1 is essentially all about Bella... actually all the Twilight films are about Bella but I digress. In this movie Bella (Kristen Stewart) gets married to her vampire boyfriend Edward (Robert Pattinson) and gets pregnant. That's the most I can say without spoiling anything else.

     Taking a departure from the previous films, new director Bill Condon (Dreamgirls) opts for a film with more visceral imagery and a more literal translation from the book. Condon gives us the opportunity to "hear" the voices of the "wolves" (technically they are shape-shifters) which previously was avoided. While it was refreshing and effective for the development of the film, the thought-speak felt relatively awkward and contrived. Although I do commend the writers for doing a great job with the wedding. The nuptials were short, the ceremony was quick and the wedding toasts felt almost unscripted, adding to their humours beliveability. I found that the subtle humor in the character interactions made this film.

     The rest of the movie was just kind of blah for lack of a better word. Taylor Lautner takes his shirt off and spends a lot of time running on all fours. That's about it. I could go on about the great make-up job the did on Kristen Stewart and how flawlessly they transformed her character from beautiful Bella Swan to an emaciated pregnant corpse. Outside of great make-up the film's best moments are in the final 20 minutes in which a plethora of frenzied activity culminate to Bella going into labor. The credits begin rolling and those who stick around get a scene where the Volturi are informed on the fate of Bella. Now we unfortunately have wait an entire year for the thrilling conclusion of the Twilight Saga and I can only hope that the film will do the rest of the book a modicum of justice.

Rating: 2.5 (Maximum of 5) - While entertaining Breaking Dawn Pt. 1 still strikes out like it's predecessors

Immortals

     I long for the day that I am graced by the presence of a God-like being. Ever since I was a small boy I imagined that I was chosen by a greater power to do great things. Whether it was Zeus or Professor Charles Xavier, I was certain that I was different from other people. Turns out I was just an extremely melodramatic, overly idealistic loner with many flights of fancy. I adore mythology of all origins. I was originally enthralled by Greek mythology in the fourth grade by my teacher professor Ms. Kamberos at the University of Chicago. She exposed me to a world with a far richer history than that of our own. It is because of her that Greece is my dream destination (specifically Athens and Crete). I take my Greek mythology very seriously and judge the films about it harshly.
     This brings me to my movie critique of the week, Immortals a story of evil King Hyperion's (Mickey Rourke) mad quest for a weapon that can destroy humanity by unleashing the Titans. All that stands in his way is Theseus (Henry Cavill), a mortal man chosen by the Gods to defend humanity. Henry Cavill is perfect as Theseus. Young, agile, beautifully sculpted, and sincere, Cavill's Theseus shines amidst the gritty and baron landscapes. The story propels rapidly and manages not to flounder the story with it's pace. Events unfold with efficiency and ease all while captivating the audience every step of the way. Mickey Rourke is just as ruthless and charming as ever in his role as the mad King Hyperion. A warlord hellbent on bringing the world to his knees and becoming immortal through history.
     Now that I mention history, I must say that while Immortals is fierce and imaginative, but do not expect it to follow traditional Greek mythology. The film avoids giving any background or general information on the Gods or the Titans. Those who are unfamiliar with mythology may feel slightly lost amidst the sea of characters and references that are not explained or properly introduced. Here is a brief rundown of what happened...
     Long ago, before the Gods were fashioned, the Earth was filled with great beings known as the Titans. One Titan known as Kronos had several children by a mortal named Rhea. Kronos eventually ate his children in fear of a prophecy that foretold his undoing by his son. A grief stricken Rhea manages to hide her son Zeus from Kronos so that he may live to maturity. Once of age, Zeus confronts Kronos and forces him to spit up his offspring. With his brothers and sister by his side Zeus leads the Olympians into a battle against the Titan. After a decade, the victorious Olympians drive the remaining Titans into a prison buried beneath Mount Tartarus. The Gods that survived were given titles by their brother Zeus and he was crowned King of the Gods for his might and ingenuity.
    Now while the credits tell us that Helios, Poseidon, Athena, and Aries are the Gods we see in the film, only Athena is addressed by name. I only figured out who Poseidon was due to the fact that I knew that the God of the Sea wielded a trident and could crash into the ocean causing cataclysmic computer generated waves. As for Aries and Helios, well they could have been anyone. The movie focus's more on the mortals and their relationships. Such as Freida Pinto's Phaedra, a virgin oracle that is pursued by King Hyperion for her knowledge. Pinto's Phaedra is beautiful and alluring. She does a decent job playing a virgin with hopes of losing her purity so she will no longer be plagued by her visions.
     Do not misunderstand me, Immortals is a veritable cornucopia of flesh and blood. A solid script, beautiful cast, and jaw dropping special effects make this action fantasy an instant hit. I just believe that when making a film about immortals, you should focus on them. In retrospect instead of calling this film Immortals something like The Legend of Theseus would have been more apropos.

Rating: 3 (Maximum of 5) - A special effects extravaganza that manages to miss the point of it's title.

Anonymous

     As of late, I haven't been feeling entirely certain of myself. I feel as if I have lost some of confidence. I can't explain why or how this has happened. The important part is that it did and I need to figure out how to undo it. It didn't happen all at once either, it sort of occurred slowly and not unexpectedly. I don't really know who I am or who I want to be. Is it an identity crisis? Maybe... I get up everyday and I go through my day completing various tasks that I know must be done. I try my best to maintain a decent level of living and project an image of a person I've meticulously crafted over the years. The problem is, when I look into a mirror, or am left to my own devices for too long, I begin to question the decisions I have made. I start doubting the person that I have led most people to believe that I am. At what point does the facade stop being a facade and become reality? Once a shroud has woven itself within very fibers of your being, can it still be cast off? And if so, what would be left behind?

     Alas, I did not intend on discussing the tempest of thoughts that have been vexing me. My intentions were to merely allude to how easily a person can be forced into circumstances that inevitably lead to great personal misgivings. Anonymous is a highly imaginative film that toys with the notion that William Shakespeare did not write any of his plays, poems, or sonnets. Primarily set in the time of Queen Elizabeth 1, Anonymous is a riveting political thriller involving forbidden love, attempts to succeed the crown, and suppression of free speech. Rhys Ifans (Notting Hill & Harry Potter & the Deathly Hallows Pt. 1), Vanessa Redgrave, and David Thewlis (Harry Potter) all lead an ensemble cast through complex English politics and how the greatest playwright to have ever put pen to paper came to be. It is a perilous time for writers and politicians alike.

     The film opens with a brilliant prologue performed by Derek Jacobi. He literally sets the stage for a great tale that even I would love to see performed in a theater or opera house. It rapidly progresses from the prologue to a series of elaborate set pieces and time jumps. At first the timelines are a little confusing, but as the film progresses it entrenches you in a battle of wits and subterfuge that spans decades.

     The central plot of Anonymous surrounds the Earl of Oxford and his personal identity crisis. He struggles with his great imagination and fails to balance it with even a modicum of pragmatism. The choices he makes are merely to satisfy those around him. When he attempts to make decisions for himself, they lead him to great tragedy and sorrow. What is a life worth living if you have not been allowed to live the life you like? I must applaud director Roland Emmerich and writer John Orloff for putting together this unbelievably creative film. From beginning to the very bitter end, you have sit in awe of the fantastic tale that was woven to spark debate and conversations across the globe.

Rating: 4 (Maximum of 5) - Anonymous is a captivating emotional thrill ride that will leave you salivating for more.

A Jarring Remake... Straw Dogs

     It is not often that a film can emotionally shake me to my core. In recent memory the last film to affect me to the point where I had to leave the theater was Precious a film based of of the novel "Push" by Sapphire. It's difficult for me to discuss why films whose prominent themes center on abuse and rape. Abuse and rape are touchy topics, and often difficult to film without crossing boundaries and/or offending people. In my opinion, the acts of physically invading a person's body and battering their mind is a capital offense. Being subject to any form of abuse can mar a person for years. Often altering their social & physical development beyond repair. Speaking from experience, it can take monumental events or years of therapy in order for a person to recover from any form of abuse. Even a once in a lifetime opportunity to speak candidly with a positive role model is all it takes for a person to shed their dark cloak of pain and move on with their life (See my Reflections post).
     Things like rape and abuse can often be avoided. Fear, cowardice, naivety, selfishness, and lack of foresight all play a role in creating bad situations for yourself and others. These are also some of the main themes in Straw Dogs. Straw Dogs is a remake of 1971's dramatic thriller that starred Dustin Hoffman. The remake is helmed by James Marsden (X-Men Trilogy), Kate Bosworth (Superman Returns), and Alexander Skarsgård (True Blood). Unlike the original, Straw Dogs (2011) is set in the deep American south and the professions of the protagonists are changed and vastly improved. The story is essentially about a writer and his wife that move from L.A. to her hometown. Once there they face conflict with the locals, which culminate in a violent showdown of unparalleled intensity.
    James Marsden is perfect as a naive L.A. screenwriter David Sumner. Accustomed to the hustle and bustle of city life and the luxuries afforded by city living is the inevitable downfall of this shortsighted writer. Overly confident in the moral fortitude of his new neighbors, David allows himself and his wife to become targets of advantageous hounds disguised as old friends and honest townsfolk. Kate Bosworth's Amy Sumner is guilty of the same shortsightedness. Only Mrs. Sumner chooses to agitate the situation with her brash actions and immaturity. Together these characters lead us knowingly and painfully to an event that is both graphic and terrible. As biblical references are tossed around, good faith between men become nothing more than an elaborate rouse. Seduction, rape, murder, and even racism bring this film to a terrifying close. Not a single moment is wasted in this gripping portrayal of human indecency.
    

Rating: 4 (Maximum of 5) - Straw Dogs is a well cast, well written, beautifully set menagerie of bigotry and evil deeds.

Action Films! (Killer Elite & Abduction)

     This long overdue post has been unfortunately delayed by a great many things. I had succumbed to an end of summer cold, end of season allergies, a busy schedule, and the realization that I'm not getting paid to do this. Simply put, in the face of everyday life this blog is an indulgence and an often expensive one as well. Now here's the good news, for the next month or so I will be posting much more frequently.
     Moving along, since my last post I have seen quite a few films. Killer Elite, Abduction, Straw Dogs, and Dream House. Seeing as most of these have been out for a while, I'm not sure if it would be worthwhile to write solitary blogs on each film. Besides, Killer Elite and Abduction are barely worth my time to discuss. they are ordinary action films with very little achievements of note. Killer Elite is an attempt at an all-star cast action film starring Clive Owen, Robert DeNiro, and Jason Statham. This film is about a special-ops agent that goes into retirement only to be lured out to rescue his mentor. I never give plot spoilers, so all I have to say further about this movie is that it's mediocre. The action is great but the script hardly delivers. Statham is mono-toned and mostly expressionless. I think he's fumbled his way through one too many Transporter films. As for Robert DeNiro, his character felt fake and insincere. DeNiro is more memorable as a gay air pirate in 2007's Stardust. Clive Owen is the only actor in this movie who delivers his lines with color and emotion. It is films like this that make me avoid the action film genre in general.

     Next is Abduction, an action film starring Taylor Lautner that's unfortunately aimed at underage teenagers. Sigourney Weaver's presence in this film is what initially drew me and her talents are greatly wasted and untapped in this dry extremely corny film. The story centers on Nathan (Taylor Lautner), a young man who's life is sent spiraling out of control once he finds a childhood photo of himself on a missing persons website. The film initially shows great potential by immersing us in the nearly perfect life of Nathan and allowing us to see it unravel at alarming rates. The downside to this is that the film seems to have been written and shot for teenage girls. Awkward moments, cheesy lines, and toned down violence abound in a movie that could have been a great platform for Lautner to shed his Twilight identity. Don't get me wrong, the film is still enjoyable but it clearly intended for a Disney Channel audience.
     Unlike the Killer Elite and Abduction, I have a lot to say about Straw Dogs and Dream House. Both Straw Dogs and Dream House will get individual posts.

Killer Elite - Rating: 2.5 (Maximum of 5) - Clive Owen is the saving grace of this movie that is otherwise just another testosterone fest with no substance
Abduction - Rating: 2 (Maximum of 5) - A witless film with lots of untapped potential

Lion King 3D

     17 years ago Walt Disney released a film that would permanently ingrain itself in the minds of millions of people across the globe. That film would be The Lion King, it went on to win two Academy Awards and three Golden Globes including Best Motion Picture - Comedy/Musical. Now it's 2011 and The Lion King is back for a limited release and remastered for 3D.
     The Lion King for it's time was unprecedented. It's liquid animation and vivid color palette make it one of a kind. Boasting an award winning score from Hans Zimmer (Inception, Dark Knight) and playful dialogue, Lion King set itself aside as an instant classic. It's actually surprising that Lion King did not garner a Best Picture nod from the Academy of Motion Picture Arts & Sciences. Beauty & the Beast was nominated a few years prior, but faced lesser competition (Best Picture nominees from 1995 were Apollo 13, Braveheart, Babe, Sense & Sensibility, and Il Postino).
     Now for those who remain skeptical of the 3D format, film conversions such as this {The Lion King} are a glimmering bastion of hope. While most 3D conversion comes across as a cheap parlor tricks aimed at pillaging the consumer's wallet, Lion King was obviously transformed with tender love & care. The opening sequence in which the animal kingdom pays their tribute to the newly born Simba is absolutely breathtaking. The contrast between background to foreground imagery is striking. The 3D conversion along with the digital remastering, gives The Lion King the truly vibrant life it deserves. I hope that learning from the smash success that The Lion King 3D experienced during it's opening weekend, that Disney will continue this trend and release it's other classics in 3D as they come out of those cavernous vaults. I will be impatiently awaiting The Little Mermaid 3D for next year.

Rating: 5 Stars (Maximum of 5) - A truly beloved film, remastered to perfection and bolstered by 3D reanimation.

Reflections - Story of a World Wide Woman

    Everyone who knows me also knows that I am the veritable definition of a Beyoncé fan. But not many people know why... I was feeling unusually reminiscent today, and decided to share an old post from a blog I no longer utilize. Because of the intensely personal experience I had during the following event, I omitted several details that I do not feel necessary to share. Long story short, Beyoncé Knowles inspired me to continue living my life. Through all of her accomplishments and refusal to let people get in the way of her own success, she unwittingly shaped the goal oriented out-going person I am today. The following post chronicles my very first encounter with her...

      It was a Saturday night on the 18th day of August in the year 2007. The destination was 1901 W Madison St. Chicago, IL otherwise known as the United Center. The purpose was an experience of a lifetime; more specifically it was The Beyoncé Experience. It was to be one of those moments that most people don't even get a chance to have. She (Beyoncé) is world renowned for her riveting performances, stellar voice and overall ability to entertain the masses regardless of race, language, sex or orientation. Breaking world records since the age of 22 she has set the bar for modern artists and even challenged the precedents set by the greatest artists/performers of all time.
     What was so special about this concert? What was so special about this night? This was the night I was destined to meet the woman of my dreams. This was a night that I had longed for, dreamed about and anticipated more than anything in my life to this date. I was going to meet Beyoncé Knowles, forget about getting her autograph or taking a picture with her; I was going to meet her. I had spent months saving for this event and spent even longer after the purchase for the date to finally arrive. When it came down to the point where I was standing outside of her dressing room it suddenly seemed as if time was moving all too fast and I feared more than anything that this moment would soon be just a fleeting memory.
     Upon arrival to the United Center I was instantly greeted by the other ticket holders who were blessed enough to share in the same experience as I. After a 2 hour wait and a presentation of rules and regulations I was greeted by Matthew Knowles (Beyoncé’s father). He gave a brief speech and told us that the moment we had all been waiting for would soon be at hand. Meanwhile, Robin Thicke was performing somewhere in the distance but I could care less, I was here for one person. Within moments my name was called and I was standing in front of Beyoncé's dressing room. Without warning my heart felt as if it were trying to escape from my chest, my head was spinning and my breaths were all too short. Then my name was called once more and I walked into her room where I saw her mother (Tina Knowles) sitting in a nonchalant manner and Beyoncé standing looking directly at me. With her hand extended, she greeted me with a simple but dizzying statement..."Hello, don't you look handsome in your (Beyoncé) t-shirt".
     Beyond all belief, all I could think about was the fact that Beyoncé thought I was handsome! I shook her hand lightly; nervous about whether I would squeeze it too hard. I gave her a polite but obviously nervous hug while quietly relishing the fact that she smelled like summer and springtime combined. She was everything I had expected and more. She was unnervingly and surprisingly more beautiful in person than she appears to be on television or in any photograph. She was tall, slender and soft...the word soft doesn't even do her justice. When people speak of how a woman should feel, how soft she should be; Beyoncé is all that and more. After that slightly awkward moment we smiled and the photographer took our picture. As we finished taking the photo she turned and looked at me and told me how nice it was to meet me and thanked me for coming. Within an instant I wanted do whatever it took to make that moment last longer and all I managed to say was "No, it was truly wonderful meeting you, you have no idea what this means to me. Thank you from the bottom of my heart for giving me and everyone else this opportunity." With that I turned and left the dressing room on a cosmic cloud that even the Hubble telescope couldn’t find. My face would have put a Cheshire cat to shame.

     I made my way back into the arena and to my seat on the main floor just as Robin Thicke said his thank you’s and left the stage. I was seated in the 4th row, dead center from the stage. It was there that I remained while reflecting on my experience and awaiting the start of the show. Within several moments, the arena grew dark and the voices of the fans were united in a thunderous chorus as Beyoncé rose from beneath the stage. She was fabulous, graceful and beautiful. Her body moved with power and determination, much like her voice crossed vocal ranges rising and falling with calculated precision. It almost seemed as if she was enjoying performing for us more than we enjoyed her. She spoke with sincerity and bit of girlish flavor. The show was a work of art and fun, she covered many songs from her debut album Dangerously in Love including the title track, Crazy in Love, Baby Boy, Naughty Girl, Me, Myself and I, and Speechless. There were other flashback tracks and classics from her Destiny's Child days such as Independent Woman pt. 1, Survivor, Jumpin Jumpin, No No No pt. 2, Bug a Boo, Say My Name, Bills Bills Bills, Soldier, and Cater 2 U. Along with those she also performed 9 tracks from her B'Day album which included the Get Me Bodied Extended Remix. She also had several surprises in store such as a brilliant cover of Gnarls Barkley's Crazy, a rendition of the title track Dreamgirls and much more.
     Beyoncé and team delivered a tour de force of songs, choreography, passionate vocals and genuine fun. There was never a dull moment we were dazzled by the splendid talents of her all female band and diverse range of back up dancers. Most notably during one of her 4 costume changes we were presented with a smart and genuinely original performance (by Beyoncé's team of back up dancers) of the He Had It Coming Suite from the Broadway play and major motion picture Chicago. From smooth grooves in Green Light to a teary eyed and emotional performance of her ballad Flaws and All, Beyoncé met, challenged and went above and beyond the expectations of millions of fans around the world. I can say without a doubt that she is not only a stellar performer, accomplished singer/songwriter and a budding actress. She is a phenomenally gifted and extremely blessed young black woman who is continuing to make history with every stride she makes. From English to Spanish, this world wide woman is transcends stardom in every nation, every language and every color. The Beyoncé Experience is truly one to behold for a lifetime.

Contagion

    We've seen it before with films like 1995's Outbreak. A deadly virus is contracted by an unknowing civilian and eventually leads to the greatest medical crisis the world has ever seen. Contagion follows a similar pattern with efficiency and terrifyingly realistic scenarios. In a time where American Health Care is at the forefront of heated political debates, lobbyists pushing even harder to make profits, and H1N1 was big news only two years ago, Contagion serves as a cautionary tale grounded in reality.
    Boasting an star-studded cast Contagion is masterfully directed by Steven Soderbergh (Ocean's Eleven, Traffic). Throughout the film, we are presented with scenarios that are all too familiar and common in today's world. When faced with an epidemic who can we trust? Will the local news tell us what we really need to know? Or will it be the guy that blogs about government and pharmaceutical conspiracies that will win our attention and allegiance? Is Facebook a trusted medium for hearsay and international crisis information? When racked with fear of the unknown, who will the public turn to? Contagion these issues with unprecedented ease and style.  We are privy to the horrors of how quickly and wittingly a global tragedy can escalate.
    I remember when H1N1 or more commonly known as the "Swine Flu" was a massive concern for everyone here in the US. Schools were closed, children died, and decisive measures implemented by the CDC probably prevented mass hysteria. Being overly pro-active is better than not doing anything at all (Where was FEMA during Hurricane Katrina?). Contagion captures all of this and delivers it an well written, beautifully shot, surreal, and epically performed package and delivers it to us in theaters and IMAX screens around the world. A must see event that will leave you breathless till the very end.

Rating: 4 (Maximum of 5) - Not an original work, but modernized, updated, and up-classed

Don't Be Afraid of The Dark

    If there is one thing that all people regardless of race, ethnic or cultural background share, it would be a child's fear of the dark. There is something foreboding about dark spaces and the things that may dwell within them. Famed director Guillermo Del Torro presents Don't Be Afraid of the Dark a horror/thriller remake directed by Troy Nixey (no film credits of mention).
    Don't Be Afraid of the Dark is the story of Sally, a young girl girl sent to live with her father and his girlfriend. Sally becomes the target horrendous creatures that hunt her for their own purpose. While this film is NOT directed by Guillermo Del Torro, it bears his trademark affinity for fairy tale creatures and their lust for blood and children. I can't really say that this movie is scary, I spent the entire time waiting for something truly terrifying to occur. The only moment that I found startling was shown during the trailers for the film.
    Horror isn't what it used to be and probably never will. While I have not seen the original Don't Be Afraid of the Dark I am told by others that this one does not compare. Why is it that filmmakers feel that good movies need to be redone? Why cast actors like Katie Holmes, that do little justice or credit to the original works ? In a day and age where ingenuity and breaking the mold will take a film very far, I feel that producers are sticking to tried and true formulas too closely and leaving very little space for free thought. Take James Wan's Insidious for example, it's a simple yet extremely effective horror film that spoils nothing. Unexpected terror lurks in virtually every scene of this small budget box office hit. Don't Be Afraid of the Dark fails to hit that tenor of terror required to cause buzz. Altogether it is disappointing and Del Toro's name does nothing but draw in the masses for what is an inevitable let down.

Rating: 1 Star (Maximum of 5

Colombiana

    Vengeance is beautiful and so is Zoe Saldana in this adrenaline pumped action film from the producers of La Femme Nikita. In Colombiana, Saldana plays Cataleya, a woman who becomes an assassin for hire after her parents were murdered when she was a child. Saldana is sleek, slender, and stunning as this Chicago raised woman with a mission. Sneaking into drug compounds, assassinating affluent criminals, and being ruthless comes easy to Saldana in what must be her most physically demanding role of her career. Unfortunately for Saldana, the script and screenplay do very little for the rest of the movie.
    As many may have seen in the trailer, Cataleya sorrowfully proclaims that when she was nine years old her parents were murdered in front of her. Upon watching the first 20 min of the movie, this statement is proven to false. Contrary to her statement later in the movie, the young Cataleya only heard her parent being murdered. A simple mistake like this should have been noticed by someone before the theatrical release. Outside of this slightly grievous error, Colombiana's other down-fall is the slightly repetitive action sequences. In defense of this, I believe that a virtually self-taught assassin hell-bent on revenge would have a very specific method of operation (otherwise referred to as an M.O.). For Cataleya, that would be slinking through ventilation shafts, and finding the vulnerabilities in floor plans which are typically on public record. Lastly, I feel that the sound editing team for Colombiana has a lot to repent for. During the film, moments where a gun shot or car accident should have been an extremely loud or jarring sound are slightly muffled. It is as if we were being shielded from critical noises with sound absorbent pillows over our ears or the microphones themselves. Let me tell you...it's annoying. When I see guns being fired at point blank or a car crash on screen, I would like the sound effects to match what I'm seeing.
    Beyond the aforementioned production issues, Colombiana is still an extremely fun movie to watch. I'm happy to Zoe Saldana growing as an actress with screen presence and versatility. I have personal weakness for films that feature strong female roles, so naturally I found this movie thrilling. Action films are action films, they are not geared to win Academy Awards or Critic's Choice nominations. They are meant to entertain, and in that Colombiana succeeds.

Rating: 2.5 (Maximum of 5)

Fright Night 3D

    With a deep sigh of relief I am pleased to say that while original films are essentially a thing of the past, a well-done remake can actually be refreshing. In the year that I was born, the original Fright Night was released to critical accolades ("An Outstanding Horror Film..." - The Motion Picture Guide). It is a classic black & white film that at the time of it's release was probably terrifying.
    In 2011, Fright Night has been revamped with a new cast, a new setting, and a 3D overhaul. Starring Colin Farrell are the Vampire neighbor at large, Fright Night 3D follows teenager Charlie Brewster as he uncovers the horrors of the Vampire realm.
    Tacky has never looked or felt so good. From genre cliches to dazzling displays of gore, Fright Night aims to please fans of vampires and horror. While the 3D element is rather subtle, it is often and intentionally jarring when sudden spurts of blood or viscera fly toward the screen at alarming rates.
   While the storyline doesn't deviate very much from the original, the updates are effective and realistic. David Tennant (Doctor Who) plays Las Vegas Vampire/Hunter headliner with pizazz. Plus, Las Vegas makes an excellent setting to be a hot seat for the undead (Lindsey Lohan sighting anyone?). This is an excellent prelude to fall horror flicks. Definitely enjoy this movie for everything that it's worth.

Rating: 3.5 (Maximum of 5)

Rise of the Planet of the Apes

    Dear reader, before delving into my latest critique, I must state that director Rupert Wyatt has very few films to his credit. When undertaking a summer blockbuster film, you must try and set it aside from all the others. In a summer filled with wizards, robots, aliens, and and super-heroes, Director Rupert Wyatt takes Rise of the Planet of the Apes and delves deeper into the story than any other "Apes" film in history.
    This movie follows James Franco as Will Rodman in his desperate quest for a cure to Alzheimer's disease. In his rush for results, disaster strikes when his experiments go awry and wreak havoc on his life and everyone in San Francisco. Franco continues his streak of success (let's forget about Your Highness) with this foreboding tale of corporate greed and seemingly benevolent pharmaceutical researchers.
    It really isn't a stretch to believe that pharmaceutical companies would be responsible for creating a virus that obliterates man-kind. While this movie avoids such drastic results, it certainly sets the stage for pending doom. This is merely the beginning of a possible end and that is what sets Rise of the Planet of the Apes aside from all the other films in this franchise.
    Solid performances from the entire cast lead us through a series of events that herald both mankind's downfall and also leaves us with a glimmer of hope. The film does an adequate job at addressing issues like animal cruelty, family values, and the perils of gross ignorance. Once an animal becomes integrated into a family does it stop being a pet? Should intelligence play a factor in how a family pet should be treated? I love this movie because it is thought proving and emotional. The final scenes here will leave you breathless and in awe. Truly a job well done.

Rating: 4 (Maximum of 5)

A Simply Barbaric Movie: Conan the Barbarian (2011)

    If you are one of the few individuals who admire a movie for the display of violence and naked women, I will still advise for you to avoid seeing Conan the Barbarian (2011). Starring Jason Momoa (Game of Thrones), Ron Perlman (various terrible film credits), and Rose McGowan (Charmed), Conan the Barbarian is a boorish film about a man's quest for revenge. There really isn't any need for me to elaborate beyond vengeance, because the movie isn't worth the time it takes for me to formulate a synopsis that will differ from all the other blogs out there.
    Amazingly, director Marcus Nispel managed to rope Morgan Freeman into lending his legendary voice as the narrator of the film. Unfortunately, his voice lends nothing to this violent and inane remake of Arnold Schwarzenegger's  Conan The Barbarian (1982) classic. As a fan of Rose McGowan I have to concede that I has high expectations for her, but even she could outwit the what must have only been a paycheck movie for her.
    Lastly, it is movies like this one that give 3D such a bad reputation. Whoever decided to convert this festival of testosterone and violence into 3D should be chastised for their lack of chagrin. Poor films like this one should never be made, let alone released in 3D in hopes of further pillaging the wallets of people struggling in an economic recession.

Rating: 1 (Maximum of 5)

Crazy, Stupid, Love

    I know that I'm a little behind but romantic comedies (or Rom/Coms) typically are not my cup of tea. Most rom/coms out there are usually pretty similar in tone and content. Most are just silly, and offer very little in terms of meaning or quality acting & writing. On July 28th, Crazy, Stupid, Love was released in the US. A pleasantly surprising film starring Steve Carrell, Ryan Gosling, Julianne Moore, Emma Stone, Marisa Tomei, and Kevin Bacon.
    Directed by Glenn Ficarra & John Requa, Crazy, Stupid, Love tells the story of Cal (Steve Carrell) a man who is comfortable in his life with his wife, his perfect job, and his loving family. His life unravels when his wife of 25 years asks for a divorce. Upon meeting Jacob (Ryan Gosling) Cal's life begins to take unexpected turns. Navigating a marriage crisis, raising children, and trying to find ones self has never been more complicated and humorous as it is for Cal.
    One of the many surprises in this movie is the truth in the subject matter. More often than not, married men and women can find themselves lost in a sea of comfort. The simple things like dressing up, or showing loving appreciation toward each other become things of the past. This movie is about love and how terrible and fantastic it can be.
    Even further, this movie is about relationship building on all levels, from budding teenage love, to drastic man-whoring in order to avoid intimacy and pain. I can't even describe how funny it is watch Steve Carrell and Ryan Gosling interact with each other. Hilarious situations take place at the most unexpected moments in this delightful comedy about life, love, and self-discovery.

Rating: 4 (Maximum of 5)

A Neverland Festival

    Lately, I find myself contemplating a great many things from my childhood. Old dreams, aspirations, and other innocent fascinations that make being a child so wonderfully delightful. I find it strange that I am now in my mid to upper twenties and feel as if I have forgotten or lost something along the road to adulthood. With burgeoning financial responsibilities, household maintenance, and other stresses associated with living in a heavily technological era where a push of a button can lead to complete social disaster. Albeit, the perils of modern adult life are drastically different from those that existed a hundred years ago. Things like cholera, typhoid, plague, and lack of water treatment facilities are things of the past. In today's world, we have to concern ourselves with finding Health Insurance, funding a retirement plan, and finding quality education in a country that refuses to spend money to support it. Sigh, to be a child again and not have concern of these pressing matters. The life of a child is one that should be filled with fun, joy, and adventure. Much like that of Peter Pan.
    100 years ago, an English fellow by the name of Jim Barrie wrote a delightful tale of a boy who lived in a world known as Neverland. Here he resides with his youthful companions known as "The Lost Boys", and a foul-mouthed fairy by the name of Tinkerbell. Together they embark on adventures against Indians, Pirates, and mermaids. In this present time, this beloved children's classic has been brought to the stage in a brand new 360 degree venue at the Chicago Tribune's Freedom Center. With promotional assistance from Broadway in Chicago, Peter Pan Live is a must see family event.
    Presented by Three-Sixty, Peter Pan Live rehashes Jim Barrie's epic tale in a way never seen before. Utilizing state-of-the-art 3D rendered projections, and high flying acrobatics, this show sets the stage for both children and adults to be delighted and amazed. Never before have I seen such unique use of multimedia performances. From slow-motion sword fighting to exotic dancing from Tiger Lily you will be glad you saw this show.
    For it to be a 360 degree performance, the staging probably could have been utilized in a slightly more efficient manner, but no one will feel completely left out of the action. The twenty minute intermission was more than adequate and the outdoor set-up provided plenty of concessions, and activities for adults and children to take part of. I sincerely hope the The Tribune's Freedom Center continues to house other imaginative shows like Peter Pan for years to come.

Rating: 4 (Maximum of 5)

The Help

    Every once in a while there comes a great movie that will make you cry, inspire laughter, and evoke intense emotions for the characters and the subject material. Such is the case with director Tate Taylor's film adaptation of The Help. Based in 1960's Mississippi, follows the unlikely friendship that forms between a two black house servants and a white woman inspired to write a book about the sordid lives of southern hospitality.
    I have a deep appreciation for period films. The effort that goes into everything from the casting to costume design is incredible. In fact, this movie is unsettling and upsetting at moments due to the sensitive material of the subject matter. Racial inequality and the oppression of blacks in the South (US) has been told many times, but the disbelief is always there. We are presented with the tales of women who not only cook and clean for white families, but they also care for their children and are privy to ins & outs of upper-class white society. Throughout the film, these women are made to endure many humiliations and social injustice. Bryce Dallas Howard shines as a Southern woman of social standing that harbors not thing but prejudice and hatred to anyone who stands in her way. Hers is one of many characters that you will inevitably grow to love, hate, or relate to.
    Boasting an incredible cast (Viola Davis, Emma Stone, Bryce Dallas Howard, & Cicely Tyson), and a powerful script from Tate Taylor (Winter's Bone); The Help is effective, often humorous, and absolutely delightful. I hope everyone worth their salt can appreciate the beauty of this film.

 Rating: 5 (Maximum of 5)

Attack the Block

    It's not every day that I get to see a UK film. In fact, I can't remember the last UK Film that I've watched in it's entirety. Which is partially why I was so thrilled to see this UK independent sci-fi thriller. Thanks to Gofobo.com, I attended an advanced screening of Attack the Block.

    A dark and often violent film about a gang of inner-city London youths that are forced to fight for their lives amidst an alien invasion. Written and directed by Joe Cornish, Attack the Block is not quite what you would expect from the producers of Shaun of the Dead. The movie begins with a London celebration that I believe is Canada Day (the film does not state). Here we find a gang on South London teenagers patrolling their Block for easy victims to rob. Clearly, up to no good, the story is developed through the interactions between the teenagers and their surroundings. Upon meeting a young woman on the street whom they threaten and mug, a chance event allows her to escape with her life only to have it threatened again repeated throughout the movie.

    Attack the Block is a submission from the Sundance film festival that has received critical acclaim from around the world. While it is new to the US this summer, I implore people see this film for it's ingenuity and bluntness. As human beings, we are as alike as we are different and this movie shows us that regardless of cultural background or nationality we are all the same. Especially when confronted with an invasion of shadowy dark creatures from outer space, we need to stick together and think as one. Easily the best release of the summer, Attack the Block does an excellent job all around.

Rating 4 Stars (Maximum of 5)

Stars & Stripes

    Amidst the onslaught of comic book and graphic novel film adaptations, Captain America: The First Avenger (2011) stands out as a solitary beacon of hope. Directed by Joe Johnston, Captain America follows Steves Rodgers (Chris Evans) as he desperately attempts to join the military in order to fight in World War II for the US Army. After several failed attempts, Rodgers lucks out and is accepted into a top secret military program that turns him into Captain America.
    Chris Evans sheds the tattered remains of the Fantastic Four, and delves into this new beautifully crafted 3-D realm with maturity and ease. Deeply involved, Rodgers commits himself wholehearted to the American ideal. Chiseled looks, humility, and determination are the name of the game here. With strong characters portrayed by Hugo Weaving and Tommy Lee Jones, Captain America totes brains, looks, and talent. Unlike previous comic book to film adaptations, Captain America is well structured. This film takes it's time to develop characters and our emotional connection to them. Being heavily scripted, Captain America does not rely simply on special effects alone to keep our rabid attention. Impeccable comedic timing and emotional brevity is flaunted by the entire cast. More to the point, Captain America is nostalgic, iconic and simple. Be sure to stay till the very end of the credits for an exclusive peek into 2012's Avengers film. A great summer film to enjoy with friends and family.

Rating: 3.5 Stars (Maximum of 5)

The End of a Decade of Magic

    First and foremost, I need it to be known that I sincerely dislike nearly ALL of the Harry Potter films when viewing from the perspective of a reader. The amount of information and character development we have been robbed of over the course of 8 movies should be punishable by law. That being said, I recently participated in a week long marathon of each installment of the Harry Potter film franchise. With the books being a distant and relatively vague memory, I was able to sit back and re-assess each film for what they were.
   
Harry Potter & the Sorcerer's Stone (2001) was the first book and the first film. Directed by Chris Columbus, this film was the grand introduction of the world of wizarding and witchcraft. For nearly a billion people across the globe, Harry Potter wasn't a tangible concept until they were able to see it in action. For many, this was their first foray into a supernatural realm of fantasy and most certainly would not be their last. This film managed to be the most literal of all the adapted screenplays. This lead to the film being immensely faithful, but also dry, and relatively slow. While it manages to retain the subtle humor of budding friendships and student-teacher interactions, it loses some of it's magic & grandeur along the way.
    Harry Potter & the Chamber of Secrets (2002) also directed by Chris Columbus was a slight departure from the first film. Still boasting a rather irritatingly literal translation, this film is tempered by increase in magical prowess. If I'm going to the movie theater to watch a film about a world where magic exists, then by all means give me something to believe in. With introduction of characters like Gildroy Lockhart as the self-absorbed, irresponsible, and talentless Defense Against the Dark Arts instructor, we are given a glimpse into a world that still suffers from many of the same issues that we do. In fact, it our problems are only made so much worst in their world. Outside of the obvious pacing issues, we are presented with witches and wizards that suffer much like we do. A vast improvement from the first film, but still mired by awkward character interactions and poor acting.
    Harry Potter & the Prisoner of Azkaban (2004) directed by the visionary Alfonso Cuarón, was the first film in the series to truly add artistic and true cinematic elements to the relatively dry franchise. Both in terms of screen writing and cinematography, this movie gave us something to look at besides the monochromatic schemes presented in the previous installments. I feel justified in liking this film partly because of the smooth visual style imparted by Cuarón, but also because the actors were required to display complex emotions. In addition to a wider range of emotion, we are also bludgeoned with a myriad of colorful characters and impressive creatures. Dementors, creatures that feed off your happiness lurk the Hogwarts school grounds. The Whomping Willow, is given new life by a new special effects team. A Hippogriff, a eagle/horse hybrid captures our love. Professor Trelawney the mind-addled Divination's instructor offers subtle humor and new insight into the complexities of studying witchcraft. Remus Lupin is introduced as both the new Defense Against the Dark Arts instructor, werewolf, and a friend from Harry's undiscovered past.Finally, we have Gary Oldman making his appearance as Sirius Black; Harry Potter's infamous Godfather. Oldman adds a levels of acting skill and ingenuity normally reserved for actors such as Johnny Depp. Displaying melancholy and sincerity with a casual ease that is daunting to even the most seasoned actors. This is my favorite film in the franchise and for good reason.
    Harry Potter & the Goblet of Fire (2005) directed by Mike Newell, takes Harry Potter to wizarding levels with the Tri-Wizard Tournament and his first encounter with He-Who-Must-Not-Be-Named (Lord Voldemort). I have severe issues with this movie for many reasons. First and foremost, if you are making a film about a Tournament between three schools of magic, please do us a favor and actually show us the hardships of such a thing. This film was haphazardly made in respect to the tournament and the social issues that arise between the students of Hogwarts, Durmstrang, and Beauxbatons. The implications of these interactions are forced upon us and we are lead to feel very little for anyone save Hermione Grainger who experiences the sting of unrequited love. Secondly, when battling dragons, feel free to take artistic license here and show us the battles! Not only do we not get to see this extremely difficult challenge completed, but we don't even hear how it was accomplished by anyone but the extremely luck-lorn Harry Potter. This movie is all bark, with very little bite. It isn't until the last 30 min of the film, that we truly feel the dread and impending danger that should have been present from the very beginning. The only bright sides to this largely unimpressive film is the introduction of Mad Eye Moody, the new and rather surly Defense Against the Dark Arts instructor with major personality flaws and dark secrets ;)
    Harry Potter & The Order of The Phoenix (2007) directed by David Yates (who also helms the remainder of the series) is the shortest film in the series even though it was also the largest book. This fact alone is discouraging, but I'm not here to discuss accuracy. In this movie Harry and his friends join forces with the survivors of the original members of The Order of the Phoenix in order to fight Lord Voldemort and his Death Eaters (name for wizards that follow the Dark Lord). We are also led to believe that Harry Potter has developed a genuine relationship with his long lost godfather, but the films have done very little to help establish that relationship. With the inevitable death of a major character, we are left feeling bereft of care and concern due to the abruptness of the loss and lack of emotional connection. At long last, it is within The Order of the Phoenix that we finally get a more intimate look at Professor Dumbledore. As arguably the most powerful & influential wizard of all time, he has been oddly absent from the inner workings of all the previous films. It is here that we learn of his vast knowledge of both magic and wizards alike. Through a device known as the pensieve, we are quite literally plunged into the memories of Albus Percival Wulfric Brian Dumbledore. Yates is able to take this ground-breaking piece of magic and offer us pertinent background information on characters and events that are crucial to the story. Along the lines of ground-breaking magic, Harry also begins the study of Occlumency in order to protect his feeble mind from Lord Voldemort... There is a lot going on in this very busy, extremely tense film which climaxes with and epic showdown between Dumbledore and Lord Voldemort in the flesh. I applaud Yates for maintaining the levels of tension and overall gloom associated with the events in the movie, but he still fails to give us enough time to connect with the material.
    Harry Potter & the Half-Blood Prince (2009)  is a film designed to emphasize the disparity that is ravaging the world for both muggles (non-magical humans) and wizard-kind. We find Harry Potter struggling with being The Chosen One & branded a superfluous celebrity and liar. This film is the most emotional of them all, jam packed with teenage angst, and general turmoil at the collapse of the Ministry of Magic, and the disbanding of the Order of the Phoenix. If I had to chose a second favorite film in the series it would indeed be this one. The Half-Blood Prince brings us back to Hogwarts in a way that the previous films could not manage. The daily in and outs of on-campus life, budding friendships, alliances, dating, quarrels with instructors and staff... in short it is a back-to-the-basics sort of film. Pleasantly charming, often witty, and invariably humorous; Yates gives us Potter and his friends on a very welcome platter. With an increased emphasis on day to day life in their rapidly crumbling world, we are given stellar performances from the entire cast. More notably, Emma Watson (Hermione Grainger) slams us with her capriciousness of both her talent and emotions. She sets a standard for acting that no other member of the ensemble can match. This is also the last time we get to see great feats of magic performed by Dumbledore who is brought to a very abrupt and traitorous end.
    Harry Potter & The Deathly Hallows Part One (2010) finds Harry Potter unable to return to the Hogwarts School of Witchcraft and Wizardry. Branded public enemy number one, he must set out on a harrowing journey to complete a near impossible task assigned to him by the late school headmaster, Dumbledore. This extremely poignant film focuses on Harry, Hermione, and Ron as they try to find and destroy Horcruxes, the keys to Lord Voldemort's immortality. Yates shows us for the very first time just how difficult this is for our beloved trio. Traversing the wilderness, cut-off from the rest of the known world is no easy task, even for young talented wizards. The drama in this film is thick and heavy enough for the entire series, which is why it notably slower and less action-packed than it's predecessors. There isn't much else for me to say about this film. It's long, dramatic, and the second the prelude to what should be a epic finale.
    Harry Potter & The Deathly Hallows Part 2 (2011) is the first Harry Potter film released in complete 3-D. As the finale film in this decade long franchise, Yates has a lot to accomplish within 130 min of run time. With so much drama have been packed into the last three films, this movie takes no time brooding over the loss of loved ones. It's an action packed roller-coaster ride, filled with non-stop thrills, dragons, and unimaginable spells being thrown across the screen with very little pause for further explanation. Yates, probably assumes that by now, we should be accustomed to the inner workings of this world we have been exposed to, and now that the end has finally arrived we are expected to just sit back and enjoy the show. I highly encourage viewers of this movie to treat it  the climax that it truly is. We have spent the last ten years building up to this veritable explosion of repressed magical ecstasy. Not trying to sound vulgar, but if you spent ten years building up to the perfect orgasm, I would hope you would enjoy it for everything that it was worth and save pessimistic scrutiny's for another time. Yates built this film to be thoroughly enjoyed by an international audience that has waited with bated breath for this fantastic conclusion. Yes, it could have been thirty minutes longer. Yes, we probably needed a bit more explanation on the the briefly mentioned Hallows and the people that owned them. But when one is staring at a screen that is filled with larger than life creatures of flame, or a dragon on an underground rampage, or constant displays of extreme magical prowess on behalf of the Hogwarts instructors, what is left to think? The most important thing accomplished with this movie is the utter despair that Lord Voldemort feels as each Horcrux is discovered and destroyed. The tension caused by the eventual fracturing of Voldemort's power and sanity is displayed with near perfection. Everyone is a hero in this movie, and I challenge anyone to say otherwise. This movie should not be held to any standard higher than that of your typical summer blockbuster action film. I say kudos to the entire team for bringing a decade of magic to a satisfying close. Now we can go take a shower and maybe nap, because that climax was more than worth the wait.

Deathly Hallows Pt 2 Rating: 3.5 Stars (Maximum of 5)

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Crime, Will-Power, and a Green Lantern

Lately, residents of Chicago may have noticed an increase in petty and violent crimes all across the city and in very public areas. Like many of the people who reside within the city, I viewed the crimes as distant and unfortunate to those who had to experience them. Like most, I held the assumption that I would not be affected. How naive we can be sometimes... A few nights ago, en route to a house-warming party, I bore witness to a violent crime on the Sox-35th Red Line platform. While waiting for the northbound Red Line train, I noticed a young male of Latin/Hispanic origin being chased by a young African American female wielding a bread knife. Uncertain of what I was seeing, it became increasingly clear that the man was genuinely in trouble. Frozen in a state of shock, I watched as the woman proceeded to stab the man repeatedly along the side of his torso. I watched, along with everyone else on the platform in disbelief at what we all were witnessing. 

Within seconds of seeing what I had only read about in the paper, I was on my phone dialing 911. The funny thing about calling the police when in a state of shock is that it's not as easy as one would like to believe. Three simple numbers that we have been trained to recognize and interpret for help could never have been more difficult to execute, especially when in the time of need. The sudden rush of adrenaline caused by fear can paralyze the body and make basic movements like pressing three digits on a touch-screen keypad seem nearly impossible. At long last, after two failed attempts to dial the numbers properly, I managed to regain full dexterity and call the cops.

I was greeted by a calm feminine voice, "9-1-1 Emergency Assistance...," did the voice say anything after that? I cannot be certain. Everything was happening so quickly, that it is difficult to recall. What I do remember is that I quickly detailed what was happening, and where I was located. As this process took place, the young woman fled the scene, running south on the platform toward the 33rd Street exit. The voice on the other end of the phone asked for my name and phone number. I distinctly remember thinking, "Why is that important?! Did I not just tell you everything you need to know?" I realized that it was probably necessary, in case they needed to contact me as a potential witness. The voice on the phone assured me that the police were being dispatched and would be arriving shortly. At that point I disconnected the call, and informed everyone on the platform that the police were on their way. As soon as I made this announcement, a panicked expression flickered across the face of the man who was now visibly bleeding through his over-sized white t-shirt. Within moments, he swore out loud and actually managed to run! I couldn't believe it! Where in hell was he going??? And why was he running in the same direction as the knife-wielding woman??? I was only baffled by this astonishing turn of events for a mere moment before a voice inside my head said that he probably did something to deserve being stabbed by that woman. Slightly puzzled, I shrugged and made a jarring observation; I was the only person to call the police.

        We all hear stories about violent acts being committed in public spaces and how the bystanders only watch... or in some cases pull out their phones to record video of the incident, only to upload it to Facebook or YouTube later. Being faced with the option to act or stand by and watch, you would hope that people would choose to act. Imagine yourself being put into the position of the person who needs help, and no one had the courage or will power to offer you the assistance that you clearly need. The power of will and courage are all it takes to overcome fear and that is the overarching theme of the "Green Lantern".

As an avid comic fan-boy, it is incredibly difficult for me to remain objective when reviewing the increasing number of comic to film adaptations. That being said, I must address the film at hand: "The Green Lantern". Directed by acclaimed director Martin Campbell, The Green Lantern is the story of Hal Jordan (Ryan Reynolds), a test pilot that receives a ring that grants it's possessor the power to conjure anything that his/her mind can conceive; and is charged with protecting the universe from evil.

Aside from the ingenious casting within this film, the only positive thing that can be said is that nearly 200 million in CGI (computer-generated imagery) looks phenomenal in 3D. This is a film that's all pomp & circumstance, with none of the hard work. The story of Hal Jordan is pitched to us (as viewers) as one where will-power and courage are all that is needed to triumph. Unfortunately, the film does nothing to show us that Hal Jordan lacks anything except a desire to make long term commitments.

Although the film lacks strong foundations, it is redeemed by the graceful Blake Lively who excels in portraying a woman of social and economic power. Her role as a test pilot may not have been believable, but I found it immensely entertaining to watch Lively try in earnest to sell us the fighter pilot image she was forced to pander. Entertaining... is all I can say about the film in the best and worst ways. It was laughable to see how serious the movie tried to present itself to be, but also endearing. My advice to anyone watching The Green Lantern is to do the same thing the people on the platform did on the night of the stabbing. Simply watch and be amazed at the spectacle.

Rating: 2 Stars (Maximum of 5)