The Secret Life of Walter Mitty

I am pleased be well along the way in my process of adapting to life in London, UK. Even more, I am overjoyed to be back in the world of cinephiles. The world of film and media in the UK is small compared to that of the US, but what it lacks in size it overwhelms with quality and exclusive content. Thanks to Cineworld UK, I had the immense pleasure of attending a secret screening of The Secret Life of Walter Mitty; five weeks in advance of its US and UK theatrical releases.

Walter Mitty can easily be summed up as the story of a magazine worker who lives inside fantasy worlds and sets off on a global journey to find a missing picture. Going a step further, I would say that it is the story of a man that wants to desperately live his life but has long forgotten how. The film begins with a diminished Walter (Ben Stiller) simply going through the motions of his life until a series of events lead him toward an adventure of a lifetime. As the film progresses, we get to witness his transformation from an introspective loser to a world traveler and adventurer.

Unlike other films of its kind, Walter Mitty is a tale of a midlife crisis and the self-discovery that comes with it. What do you do when you realize that you're entire life is changing and not for the better. The subject matter hits very close to home for myself as I have been faced with a similar situation as Walter Mitty. Out of a sheer will for survival, Walter Mitty embarks on a journey that takes him from New York City to Greenland to Iceland and much further. His journey is racked with unbelievable feats of courage, stupidity, and the kind of laughter only one who has traveled the world can appreciate.

Adapted from a short story written by James Thurber, Stiller directs his vision for this film to be daring, intimate, and provocative. It easily shines as a poignant addition to the American film pantheon. I highly recommend this piece of cinematic art to anyone that dares to dream that theirs lives can be so much more. It's a testament to the human spirit and how we compartmentalize and deal with common stressors like the loss of a loved one or being fired from a job that you worked at for nineteen years. Kudos to Ben Stiller and his formidable co-stars (Kristen Wiig, Adam Scott, & Sean Penn) for bringing creativity, adventure, intelligence, and heart back into the world of dramatic comedy.

Rating 5 (Maximum of 5): A beautifully executed comedy of immense proportions.

Elysium

     In the year 2154, the current wealth gap explodes to an extreme that most didn’t think possible. The extremely wealthy and affluent members of society escape the pollution and over population of our planet for a virtually perfect existence on a space station called Elysium. The rest of the human race is left behind on a dying planet to starve and suffer abuse by a system mechanical operated authority and sub-par living conditions. That all changes when Max (Matt Damon) suffers a life-threatening injury and uses his steely resolve to fight the system and embark on a mission that could balance the scales of justice and welfare once and for all.
    Elysium (Rated R) is a breathtaking and often eerie projection of a future is more possible than most would care to realize. It’s this jarring expansion of the current socioeconomic crisis that makes this film almost too relevant. Many can easily misconstrue the film as a vehicle for political agenda rather than a science fiction drama. This movie is an allegory of immense proportions and a very well-crafted one.
    State-of-the-art special effects and a well driven plot vehicle allow star Matt Damon, Jodie Foster, and Sharlto Copley (District 9) to deliver superb performances that will have you at the edge of your seat and discussing the film with friends for days.
    Like all films, Elysium is not perfect. Jodie Foster’s fake accent is skeptical at best, but she makes up for it with venomous attitude and electric elocution. Some will recognize on-going themes from director’s first major motion picture, District 9 and criticize his single-mindedness. Fortunately, that’s not the case with Elysium. The film is poignant, visceral, and has none of the pacing issues of its predecessor. Fans of director Neill Blomkamp’s District 9 will adore Elysium, others will merely speculate on the film’s minor flaws.

Rating: 4 Stars (Maximum of 5)

Extremely Loud & Incredibly Close

     For the past several years we as movie-goers have been subjected to an alarming number of adaptations. Whether it has been from a graphic novel, manga, children's book, or other literary work; it seems as if there are no longer any original thoughts in Hollywood. Especially when you think of films that are in fact remakes of a movie that was an adaptation of a play that was an adaptation of something else entirely. Nonetheless, it is happening and will continue to happen. The good news is that occasionally a truly great book to film adaptation is made. Great adaptations go above and beyond to bring the original piece to a vibrant and artful life. Extremely Loud & Incredibly Close is one of those great film adaptions.
     Directed by Stephen Daldry (Billy Elliot, The Hours) Extremely Loud & Incredibly Close is an adaptation of a novel with the same title. This film follows a nine-year-old loses his father in the September 11th attacks and his journey to to find the lock to a key that was left behind by his father. Oskar Schell (Thomas Horn) is incredibly close to his father Thomas Schell Jr. (Tom Hanks) and it almost seems as if no one but his dad understands him. Oskar is a jack of all trades; a self-proclaimed amateur inventor, jewelry designer, astrophysicist, tambourine player, and pacifist. The one thing that Oskar isn't is good at is being social. He's petrified of many things and the loss of his father sends him over the edge. A year after his father's death, Oskar embarks on a nearly impossible quest that he hopes will keep him from losing his only friend (his dad).
     The beauty of Extremely Loud & Incredibly Close is it's intimate perspective on how a single event can destroy so many lives. The imagery alone is enough to conjure powerful emotions for anyone that remembers or was affected by the attacks on the World Trade Center. There are many messages to be found within this artistic and emotional tale of family, loss, and love. Communication, self-expression, life, liberty, and the pursuit of happiness are all subjects found within this film. Bolstered by a spectacular supporting cast featuring Sandra Bullock, Viola Davis, and Max von Sydrow, Extremely Loud & Incredibly Close speaks to all generations and all ages. This is easily the first must-see movie event of the new year. I can only hope that 2012 will continue to deliver adaptations such as this one.

Rating: 5 (Maximum of 5) - Extremely Loud & Incredibly Close is an incredibly emotional and poignant tale of a boy and his struggle to save the bond he had with his dead father

War Horse

     Once a year there is a film that will rivet it's audience to their core. A film that can be admired by families around the world. This year that film is War Horse, a Steven Spielberg adaptation of a Tony award-winning play of the same name. War Horse is the story of a boy named Albert and his bond with his horse Joey during World War I.

     Seldom are we graced with a quality film that was adapted from a play, which in turn was adapted from a best selling novel. "War Horse" was originally published by Michael Morpurgo in 1982, the book was adapted as a Broadway play in 2007. War Horse the play went on to storm the American Theater Wing's Tony Awards with five awards and wins. Now when undertaking an adaptation of this magnitude the only person I would trust would be Steven Spielberg. Only the director of Saving Private Ryan and Empire of the Sun could replicate a touching tale of love and hardship during wartime.
      War Horse begins with a young Albert (Jeremy Irvine) witnessing the birth of a foal. It quickly develops as we see the foal progress in age from a handsome colt to a dazzling thoroughbred. At the appropriate age this horse is sold to Albert's family and this is where the story truly begins. Albert soon trains Joey (the horse) to be the family's indentured servant. As the training progresses so does the bond between Albert and Joey. That is until one day Joey is sold to the cavalry to cover debts accumulated by the farm. It is here that Joey stops being a work horse and becomes a war horse.
     What makes War Horse different from any other war film, is that it's heart lies in an animal, not the people fighting the war. This is more about a journey through unfortunate circumstance and survival, than it is about conflicts between rival factions. We watch in awe and sometimes humor as Joey journeys across Europe during World War I. This film is littered with irony and adventure of epic proportions. This is a film that children and families alike can enjoy time and time again. Truly, Steven Spielberg has woven another tale that will live on in the hearts and memories of all who see it.

Rating: 5 (Maximum of 5) - A superb and emotional film that will leave you breathless.

Contagion

    We've seen it before with films like 1995's Outbreak. A deadly virus is contracted by an unknowing civilian and eventually leads to the greatest medical crisis the world has ever seen. Contagion follows a similar pattern with efficiency and terrifyingly realistic scenarios. In a time where American Health Care is at the forefront of heated political debates, lobbyists pushing even harder to make profits, and H1N1 was big news only two years ago, Contagion serves as a cautionary tale grounded in reality.
    Boasting an star-studded cast Contagion is masterfully directed by Steven Soderbergh (Ocean's Eleven, Traffic). Throughout the film, we are presented with scenarios that are all too familiar and common in today's world. When faced with an epidemic who can we trust? Will the local news tell us what we really need to know? Or will it be the guy that blogs about government and pharmaceutical conspiracies that will win our attention and allegiance? Is Facebook a trusted medium for hearsay and international crisis information? When racked with fear of the unknown, who will the public turn to? Contagion these issues with unprecedented ease and style.  We are privy to the horrors of how quickly and wittingly a global tragedy can escalate.
    I remember when H1N1 or more commonly known as the "Swine Flu" was a massive concern for everyone here in the US. Schools were closed, children died, and decisive measures implemented by the CDC probably prevented mass hysteria. Being overly pro-active is better than not doing anything at all (Where was FEMA during Hurricane Katrina?). Contagion captures all of this and delivers it an well written, beautifully shot, surreal, and epically performed package and delivers it to us in theaters and IMAX screens around the world. A must see event that will leave you breathless till the very end.

Rating: 4 (Maximum of 5) - Not an original work, but modernized, updated, and up-classed

The Help

    Every once in a while there comes a great movie that will make you cry, inspire laughter, and evoke intense emotions for the characters and the subject material. Such is the case with director Tate Taylor's film adaptation of The Help. Based in 1960's Mississippi, follows the unlikely friendship that forms between a two black house servants and a white woman inspired to write a book about the sordid lives of southern hospitality.
    I have a deep appreciation for period films. The effort that goes into everything from the casting to costume design is incredible. In fact, this movie is unsettling and upsetting at moments due to the sensitive material of the subject matter. Racial inequality and the oppression of blacks in the South (US) has been told many times, but the disbelief is always there. We are presented with the tales of women who not only cook and clean for white families, but they also care for their children and are privy to ins & outs of upper-class white society. Throughout the film, these women are made to endure many humiliations and social injustice. Bryce Dallas Howard shines as a Southern woman of social standing that harbors not thing but prejudice and hatred to anyone who stands in her way. Hers is one of many characters that you will inevitably grow to love, hate, or relate to.
    Boasting an incredible cast (Viola Davis, Emma Stone, Bryce Dallas Howard, & Cicely Tyson), and a powerful script from Tate Taylor (Winter's Bone); The Help is effective, often humorous, and absolutely delightful. I hope everyone worth their salt can appreciate the beauty of this film.

 Rating: 5 (Maximum of 5)

"Sucker Punch"

    Lately, going to the movies has been a little difficult for me. I work mornings & early evenings at an organic restaurant by the name of Nana. Since my return from my amazing Bahamas vacation, the business at the restaurant has maintained a busy and steady pace. As a direct result, my hours there had increased to the point where seeing and accurately criticizing a film would have been impractical (not that I'm complaining). The week following my return from the Bahamas included filming for Food Network's Diners, Drives, & Dives (DDD) with television celebrity Chef Guy Fieri. While this will inevitably do wonders for business at the restaurant, I deeply disagree with our restaurant being included on the that particular show. Nana, is neither a diner, a drive, or a dive and I slightly resent having our fine dining establishment included on a show that highlights places like Chicago's White Palace Grill... Nevertheless, we filmed what should be a great segment to a future episode and plowed directly onto Localicious (an exclusive party featuring Chicago Restaurants that buy and feature locally grown organic produce) and Chicago Chef's Week (a week in which prix fixe menus are available at select restaurants with seasonal menus). Needless to say, we were swamped and I was exhausted for 2 consecutive weeks.
    Now getting to the most important matter, my synopsis of "Sucker Punch".

    "Sucker Punch" is a PG-13 rated action/adventure/fantasy/drama or epic fantasy from the mind of Zack Snyder. The film follows a young girl by the name of Baby Doll (Emily Browning) who is institutionalized by her abusive stepfather after the death of her mother. Once imprisoned, we are plunged into a fantastic realm of sex and heroism as she struggles to cope with her harsh reality, and the decisions she must make in order to obtain her freedom. Along the way, we are introduced to cast of characters that are menacing, memorable, and beautifully reticent.
    Make no mistake, while "Sucker Punch" seems to be aimed at teenage action fan-boys, this film manages to stir up enough emotional content to dissuade those seeking only visual titillation. The concepts driven hardest by the film are tough life questions that many of us ponder, but are rarely afforded the chance to actualize. What will it take to survive? Am I strong enough to persevere this? How far will you go to save the life of someone you hardly know? The movie poses these questions and more, and does very little to actually answer them. Through a series of journeys through Baby Doll's imagination we are exposed to myriad of environments that act as pop culture references. "Black Swan", "Kill Bill", "Inception", "Lord of the Rings" (or "The Hobbit"), "Repo: The Genetic Opera", and many more can be seen within the 109 minutes that "Sucker Punch" is.
    It can be said that the overall arching theme of many films released over the last year has been a woman's fight for survival (see "Black Swan" and "Winter's Bone"). Emily Browning's Baby Doll, fights for her life in this visually fantastic adventure that crosses the lines of three separate realms of reality. A round of applause for Zack Snyder who also co-wrote the film. Could it have been better? Most certainly. But this is not a film that was meant to answer questions. It is only a tool with which one should use to inspire conversation and provoke thought.

Rating: 3.5 Stars (maximum of 5)